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      Bibliophobia: The End and the Beginning of the Book

      2 in stock

      Firm sale: non returnable item
      SKU 9780192847317 Categories ,
      Richly illustrated with manuscripts, printed objects, and art works, Bibliophobia tells a 5000-year history of writing and of books to give readers a fascinating account of why books matter and how they impact on our lives.
      Bibliophobia is a book about material books, how they are cared for, and ...

      £37.99

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      Description

      Product ID:9780192847317
      Product Form:Hardback
      Country of Manufacture:GB
      Series:Clarendon Lectures in English
      Title:Bibliophobia
      Subtitle:The End and the Beginning of the Book
      Authors:Author: Brian Cummings
      Page Count:592
      Subjects:Literary studies: general, Literary studies: general, Literary studies: fiction, novelists and prose writers, Popular philosophy, Comparative religion, Material culture, Literary studies: fiction, novelists & prose writers, Popular philosophy, Comparative religion, Material culture
      Description:Richly illustrated with manuscripts, printed objects, and art works, Bibliophobia tells a 5000-year history of writing and of books to give readers a fascinating account of why books matter and how they impact on our lives.
      Bibliophobia is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of ''the death of the book'' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again.Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers.
      Imprint Name:Oxford University Press
      Publisher Name:Oxford University Press
      Country of Publication:GB
      Publishing Date:2022-02-10

      Additional information

      Weight1120 g
      Dimensions165 × 243 × 39 mm