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      The Process Genre: Cinema and the Aesthetic of Labor

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      SKU 9781478006442 Categories ,
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      Salomé Aguilera Skvirsky theorizes the process genre—filmic genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product.
      From IKEA assembly guides and “hands and pans” cooking videos on ...

      £25.99

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      Description

      Product ID:9781478006442
      Product Form:Paperback / softback
      Country of Manufacture:US
      Title:The Process Genre
      Subtitle:Cinema and the Aesthetic of Labor
      Authors:Author: Salome Aguilera Skvirsky
      Page Count:336
      Subjects:History of art, History of art / art & design styles, Film history, theory or criticism, Film theory & criticism
      Description:Select Guide Rating
      Salomé Aguilera Skvirsky theorizes the process genre—filmic genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product.
      From IKEA assembly guides and “hands and pans” cooking videos on social media to Mister Rogers''s classic factory tours, representations of the step-by-step fabrication of objects and food are ubiquitous in popular media. In The Process Genre Salomé Aguilera Skvirsky introduces and theorizes the process genre—a heretofore unacknowledged and untheorized transmedial genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product. Originating in the fifteenth century with machine drawings, and now including everything from cookbooks to instructional videos and art cinema, the process genre achieves its most powerful affective and ideological results in film. By visualizing technique and absorbing viewers into the actions of social actors and machines, industrial, educational, ethnographic, and other process films stake out diverse ideological positions on the meaning of labor and on a society''s level of technological development. In systematically theorizing a genre familiar to anyone with access to a screen, Skvirsky opens up new possibilities for film theory.
      Imprint Name:Duke University Press
      Publisher Name:Duke University Press
      Country of Publication:GB
      Publishing Date:2020-03-20

      Additional information

      Weight584 g
      Dimensions159 × 239 × 18 mm