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      Contemporary British Ceramics and the Influence of Sculpture: Monuments, Multiples, Destruction and Display

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      Firm sale: non returnable item
      SKU 9781032476421 Categories ,
      This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery.

      This book investigates how British contemporary artists who work...

      £37.99

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      Description

      Product ID:9781032476421
      Product Form:Paperback / softback
      Country of Manufacture:GB
      Series:Routledge Advances in Art and Visual Studies
      Title:Contemporary British Ceramics and the Influence of Sculpture
      Subtitle:Monuments, Multiples, Destruction and Display
      Authors:Author: Laura Gray
      Page Count:146
      Subjects:The arts: general topics, The arts: general issues, History of art, History of art, Sculpture, Ceramics, mosaic and glass: artworks, Museology and heritage studies, European history, History, Life sciences: general issues, Ceramic and glass technology, Materials science, Art styles not defined by date, Art & design styles: from c 1960, Sculpture, Ceramic arts, pottery, glass, Museology & heritage studies, British & Irish history, 20th century history: c 1900 to c 2000, Life sciences: general issues, Ceramics & glass technology, Materials science, United Kingdom, Great Britain
      Description:This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery.

      This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the ''higher'' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.


      Imprint Name:Routledge
      Publisher Name:Taylor & Francis Ltd
      Country of Publication:GB
      Publishing Date:2023-01-21

      Additional information

      Weight284 g
      Dimensions173 × 245 × 12 mm