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      Crosscurrents in Australian First Nations and Non-Indigenous Art

      1 in stock

      Firm sale: non returnable item
      SKU 9781032257372 Categories ,
      This edited collection examines art resulting from cross-cultural interactions between Australian First Nations and non-Indigenous people, from the British invasion to today.

      This edited collection examines art resulting from cross-cultural interactions between Australian First Nations and non...

      £135.00

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      Description

      Product ID:9781032257372
      Product Form:Hardback
      Country of Manufacture:GB
      Series:Routledge Advances in Art and Visual Studies
      Title:Crosscurrents in Australian First Nations and Non-Indigenous Art
      Authors:Author: Caroline Jordan, Sarah Scott, Helen McDonald
      Page Count:222
      Subjects:The arts: general topics, The arts: general issues, History of art, The Arts: art forms, Museology and heritage studies, Colonialism and imperialism, Cultural studies, Ethnic studies, Sociology, Anthropology, History of art / art & design styles, Art forms, Museology & heritage studies, Colonialism & imperialism, Cultural studies, Ethnic studies, Sociology, Anthropology, Australasia, Oceania & other land areas, Australia
      Description:This edited collection examines art resulting from cross-cultural interactions between Australian First Nations and non-Indigenous people, from the British invasion to today.

      This edited collection examines art resulting from cross-cultural interactions between Australian First Nations and non-Indigenous people, from the British invasion to today.

      Focusing on themes of collaboration and dialogue, the book includes two conversations between First Nations and non-Indigenous authors and an historian’s self-reflexive account of mediating between traditional owners and an international art auction house to repatriate art. There are studies of ‘reverse appropriation‘ by early nineteenth-century Aboriginal carvers of tourist artefacts and the production of enigmatic toa. Cross-cultural dialogue is traced from the post-war period to ‘Aboriginalism’ in design and the First Nations fashion industry of today. Transculturation, conceptualism, and collaboration are contextualised in the 1980s, a pivotal decade for the growth of collaborative First Nations exhibitions. Within the current circumstances of political protest in photographic portraiture and against the mining of sacred Aboriginal land, Crosscurrents in Australian First Nations and Non-Indigenous Art testifies to the need for Australian institutions to collaborate with First Nations people more often and better.   

      This book will appeal to students and scholars of art history, Indigenous anthropology, and museum and heritage studies.


      Imprint Name:Routledge
      Publisher Name:Taylor & Francis Ltd
      Country of Publication:GB
      Publishing Date:2023-08-11

      Additional information

      Weight532 g
      Dimensions158 × 241 × 18 mm