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      Pathology and Visual Culture: The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpetriere School

      1 in stock

      Firm sale: non returnable item
      SKU 9780271096803 Categories ,
      In this book, Natasha Ruiz-Gómez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris’s Hôpital de la Salpêtrière in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825–1893) and known collectively as t...

      £83.95

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      Description

      Product ID:9780271096803
      Product Form:Hardback
      Country of Manufacture:GB
      Title:Pathology and Visual Culture
      Subtitle:The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpetriere School
      Authors:Author: Natasha Ruiz-Gomez
      Page Count:224
      Subjects:History of art, History of art & design styles: c 1800 to c 1900, Individual artists, art monographs, Human figures depicted in art, Medicine: general issues, Individual artists, art monographs, Human figures depicted in art, Medicine: general issues, c 1800 to c 1900
      Description:In this book, Natasha Ruiz-Gómez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris’s Hôpital de la Salpêtrière in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825–1893) and known collectively as the Salpêtrière School, these savants-artistes produced works that demonstrated an engagement with contemporary artistic discourses and the history of art, even as the artists/clinicians professed their dedication to absolute objectivity. During his lifetime, Charcot became internationally famous for his studies of hysteria and hypnosis, establishing himself as a pioneer in modern neurology. However, this book brings to light the often-overlooked contributions of other clinicians, such as Dr. Paul Richer, who created “scientific artworks” that merged scientific objectivity with artistic intervention. Challenging conventional interpretations of visual media in medicine, Ruiz-Gómez analyzes how these images and objects documented symptoms and neuropathology while defying disciplinary categorization. Grounded in extensive archival research, Pathology and Visual Culture targets an international audience of historians and students of art, visual culture, medicine, and the medical humanities. It will also captivate neurologists and anyone interested in fin-de-siècle French history and culture.
      Imprint Name:Pennsylvania State University Press
      Publisher Name:Pennsylvania State University Press
      Country of Publication:GB
      Publishing Date:2024-04-09

      Additional information

      Weight1062 g
      Dimensions209 × 262 × 22 mm