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      Shakespeare, Spectatorship and the Technologies of Performance

      3 in stock

      Firm sale: non returnable item
      SKU 9781108420488 Categories ,
      Select Guide Rating
      Rapid changes in performance technologies are changing how we view early modern drama. The book explores how candlelight and architecture make each spectator's viewing experience unique; how digital media alter viewers' interactions with live performances; and how theatre broa...

      £83.99

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      Description

      Product ID:9781108420488
      Product Form:Hardback
      Country of Manufacture:GB
      Title:Shakespeare, Spectatorship and the Technologies of Performance
      Authors:Author: Pascale Aebischer
      Page Count:256
      Subjects:Filmmaking and production: technical and background skills, Film production: technical & background skills, Literary studies: plays and playwrights, Shakespeare studies & criticism
      Description:Select Guide Rating
      Rapid changes in performance technologies are changing how we view early modern drama. The book explores how candlelight and architecture make each spectator's viewing experience unique; how digital media alter viewers' interactions with live performances; and how theatre broadcasts fundamentally affect the reception of Shakespeare.
      Shakespeare, Spectatorship and the Technologies of Performance examines how rapid changes in performance technologies affect modes of spectatorship for early modern drama. It argues that seemingly disparate developments – such as the revival of early modern architectural and lighting technologies, digital performance technologies and the hybrid medium of theatre broadcast – are fundamentally related. How spectators experience performances is not only affected in medium-specific ways by particular technologies, but is also connected to the plays'' roots in early modern performance environments. Aebischer''s examples range from the use of candlelight and re-imagined early modern architecture, to set design, performance capture technologies, digital video, social media, hologram projection, biotechnologies and theatre broadcasts. This book argues that digital and analogue performance technologies alike activate modes of ethical spectatorship, requiring audiences to adopt an ethical standpoint as they decide how to look, where to look, what medium to look through, and how to take responsibility for looking.
      Imprint Name:Cambridge University Press
      Publisher Name:Cambridge University Press
      Country of Publication:GB
      Publishing Date:2020-04-30

      Additional information

      Weight498 g
      Dimensions160 × 235 × 22 mm